Friday, March 14, 2014


So what does one do when everything you've ever known is lost and there are still four children looking to you for answers? Such is the story of Lore, a teenaged girl who is suddenly uprooted from her upper class home where she lived with her parents, younger sister, two younger brothers, and a new baby. They relocate to a tiny house in the Black Forest with the expectation that their father is to join them soon. Instead, their mother announces she must leave ahead of expected arrests following the collapse of The Third Reich. If she does not return, Lore has been instructed to take her brothers and sisters to Hamburg where their grandmother lives. Mom doesn't make it clear how Lore is to complete this nearly 600 mile task without transportation and only a handful of jewels but Mama ain't going to jail so Lore better deal.

And deal she does. Lore drags them from post to pillar, over the river, through the woods, leaving bits of her childhood behind and she faces the overwhelming responsibility before her. The kids cry, as to be expected. They get hungry, as to be expected. And they don't like sleeping in the damp woods, also, as to be expected. On top of all that, Lore picks up a maybe stalker who sets on edge every teenaged girl's burgeoning sense of sexuality.

Savior or stalker?

Lore is a hauntingly beautiful film based on The Dark Room, a short story written by Rachel Seiffert. The cinematography is excellent. Every shot evokes the feeling of bewilderment and uncertainty that dogs Lore's path. I have a soft spot for WWII flicks of all sorts but this one especially highlights one of the most intriguing aspects of the era for me, the effect of war on civilians, particularly German citizens. I think we fall into the common trap of seeing the Germans during the war as SS officers and Hitler youth and forget that many people struggled with pain, confusion, and lost in that time, regardless of which side they stood.

Lore is available on Netflix and Amazon. 

Friday, March 7, 2014


Directed by Philip Martin, Birdsong is the BBC adaptation of the novel of the same name by Sebastian Faulks. Wikipedia tells me it's part of trilogy of novels set in France involving some of the same characters and war stuff. This one involves war, pretty dresses, and Eddie Redmayne sobbing.

Good thing I was only in it for the pretty dresses.

Pretty dresses on picnic

Pretty dresses by the lake

Fleur Delacour by the lake

Fleur Delacour and a not crying Marius

The movie was fine. It was shot well, evoked proper emotion, was well acted. But it was missing something. I'm really not sure what. The best I can say about Birdsong is that it's one of those movies you enjoy while you're watching it and forget as soon as you aren't. There are easily a good ten movies I could list along the same theme. Love and PTSD with a side of fashion. I have to believe the fault is with the screenwriter. This is supposed to be Sebastian Faulks's best work and yet one of my favorite movies is Charlotte Gray, another novel in the trilogy. I wouldn't have known they were related were it not for the internet.

Bottom line, unless you have a love of Edwardian fashion, go ahead and skip this one in favor of Cate Blanchett and Billy Crudup. Those two are prettier, Billy does less blubbering, and you'll actually care what happens to everyone.

But if you're a Game of Thrones fan and you're still wondering what happened to Benjen Stark, it might be worth your time.

And what do you know? There's Robb. He's not much smarter in this one either. Those poor, dumb Starks just can't catch a break, can they?